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raku pottery party
"Raku Pottery Party"
April 8, 2009
On the evening of April 8, 2009, the Valley Arts Alliance held a Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. The “party” was actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer. Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the 2008 “Art on Fire” Iron Pour Art Fest in June 2008
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 5, 2010
On the evening of May 5, 2010, the Valley Arts Alliance held their Second Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. The “party” was actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer. Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the 2009 “Art on Fire” Iron Pour Art Fest in June 2009.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 4, 2011
On the evening of May 4, 2011, the Valley Arts Alliance held their Third Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. The “party” was actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer. Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the annual “Valley Arts Alliance Art on Fire Iron Pour Art Fest" in June 2010.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 19, 2012
On the sunny Saturday afternoon of May 19, 2012, the Valley Arts Alliance held their Fourth Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. Although we describe it as a “party”, this is actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer.
Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the annual “Valley Arts Alliance Art on Fire Iron Pour Art Fest" last June.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provides each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorate their vessel with a variety of glazes, and the vessels are then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers, and the metal can is sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the annual “Valley Arts Alliance Art on Fire Iron Pour Art Fest" last June.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provides each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorate their vessel with a variety of glazes, and the vessels are then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers, and the metal can is sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Poetry Pottery Party"
May 24, 2013
On Friday, May 24, the Valley Arts Alliance and Karen Lopez, the well known expert potter, hosted a POETRY POTTERY PARTY at Karen’s recently opened NuKreationZ Art & Creativity Center, 735 S. Bailey Street in Palmer.
For the past 4 years Karen and the VAA have held a Raku Pottery Party in the spring. In past events, the participants selected one of Karen’s hand made, but unglazed, pots and applied Raku glazes to create their own unique pot.
But this event was different from past Raku events, in that we used traditional food-safe glazes, which require a different and longer firing. As a result, the decorated pots had to remain at Karen’s NuKreationZ Art & Creativity Center for several days, and were available for pick-up about one week after the event.
As the participants decorated their pots with glazes, Karen, and Sandra Cook demonstrated the art of throwing a basic pot on the wheel, and Debra Bohm recited poetry.
What a wonderful mix—a POETRY POTTERY PARTY!
For the past 4 years Karen and the VAA have held a Raku Pottery Party in the spring. In past events, the participants selected one of Karen’s hand made, but unglazed, pots and applied Raku glazes to create their own unique pot.
But this event was different from past Raku events, in that we used traditional food-safe glazes, which require a different and longer firing. As a result, the decorated pots had to remain at Karen’s NuKreationZ Art & Creativity Center for several days, and were available for pick-up about one week after the event.
As the participants decorated their pots with glazes, Karen, and Sandra Cook demonstrated the art of throwing a basic pot on the wheel, and Debra Bohm recited poetry.
What a wonderful mix—a POETRY POTTERY PARTY!
"Raku Pottery Party"
May 31, 2014
On Saturday afternoon, May 31, the Valley Arts Alliance conducted our 6th Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. Although we describe it as a “party”, this was an informal workshop conducted by VAA artist Sandra Cook.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 9, 2015
On Saturday afternoon, May 9, the Valley Arts Alliance conducted our 7th Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. Although we describe it as a “party”, this was an informal workshop conducted by VAA artist Sandra Cook.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
April 8, 2009
On the evening of April 8, 2009, the Valley Arts Alliance held a Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. The “party” was actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer. Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the 2008 “Art on Fire” Iron Pour Art Fest in June 2008
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 5, 2010
On the evening of May 5, 2010, the Valley Arts Alliance held their Second Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. The “party” was actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer. Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the 2009 “Art on Fire” Iron Pour Art Fest in June 2009.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 4, 2011
On the evening of May 4, 2011, the Valley Arts Alliance held their Third Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. The “party” was actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer. Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the annual “Valley Arts Alliance Art on Fire Iron Pour Art Fest" in June 2010.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 19, 2012
On the sunny Saturday afternoon of May 19, 2012, the Valley Arts Alliance held their Fourth Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. Although we describe it as a “party”, this is actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer.
Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the annual “Valley Arts Alliance Art on Fire Iron Pour Art Fest" last June.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provides each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorate their vessel with a variety of glazes, and the vessels are then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers, and the metal can is sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the annual “Valley Arts Alliance Art on Fire Iron Pour Art Fest" last June.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provides each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorate their vessel with a variety of glazes, and the vessels are then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers, and the metal can is sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Poetry Pottery Party"
May 24, 2013
On Friday, May 24, the Valley Arts Alliance and Karen Lopez, the well known expert potter, hosted a POETRY POTTERY PARTY at Karen’s recently opened NuKreationZ Art & Creativity Center, 735 S. Bailey Street in Palmer.
For the past 4 years Karen and the VAA have held a Raku Pottery Party in the spring. In past events, the participants selected one of Karen’s hand made, but unglazed, pots and applied Raku glazes to create their own unique pot.
But this event was different from past Raku events, in that we used traditional food-safe glazes, which require a different and longer firing. As a result, the decorated pots had to remain at Karen’s NuKreationZ Art & Creativity Center for several days, and were available for pick-up about one week after the event.
As the participants decorated their pots with glazes, Karen, and Sandra Cook demonstrated the art of throwing a basic pot on the wheel, and Debra Bohm recited poetry.
What a wonderful mix—a POETRY POTTERY PARTY!
For the past 4 years Karen and the VAA have held a Raku Pottery Party in the spring. In past events, the participants selected one of Karen’s hand made, but unglazed, pots and applied Raku glazes to create their own unique pot.
But this event was different from past Raku events, in that we used traditional food-safe glazes, which require a different and longer firing. As a result, the decorated pots had to remain at Karen’s NuKreationZ Art & Creativity Center for several days, and were available for pick-up about one week after the event.
As the participants decorated their pots with glazes, Karen, and Sandra Cook demonstrated the art of throwing a basic pot on the wheel, and Debra Bohm recited poetry.
What a wonderful mix—a POETRY POTTERY PARTY!
"Raku Pottery Party"
May 31, 2014
On Saturday afternoon, May 31, the Valley Arts Alliance conducted our 6th Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. Although we describe it as a “party”, this was an informal workshop conducted by VAA artist Sandra Cook.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 9, 2015
On Saturday afternoon, May 9, the Valley Arts Alliance conducted our 7th Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. Although we describe it as a “party”, this was an informal workshop conducted by VAA artist Sandra Cook.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
April 8, 2009
On the evening of April 8, 2009, the Valley Arts Alliance held a Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. The “party” was actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer. Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the 2008 “Art on Fire” Iron Pour Art Fest in June 2008
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 5, 2010
On the evening of May 5, 2010, the Valley Arts Alliance held their Second Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. The “party” was actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer. Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the 2009 “Art on Fire” Iron Pour Art Fest in June 2009.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 4, 2011
On the evening of May 4, 2011, the Valley Arts Alliance held their Third Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. The “party” was actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer. Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the annual “Valley Arts Alliance Art on Fire Iron Pour Art Fest" in June 2010.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 19, 2012
On the sunny Saturday afternoon of May 19, 2012, the Valley Arts Alliance held their Fourth Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. Although we describe it as a “party”, this is actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer.
Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the annual “Valley Arts Alliance Art on Fire Iron Pour Art Fest" last June.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provides each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorate their vessel with a variety of glazes, and the vessels are then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers, and the metal can is sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the annual “Valley Arts Alliance Art on Fire Iron Pour Art Fest" last June.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provides each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorate their vessel with a variety of glazes, and the vessels are then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers, and the metal can is sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Poetry Pottery Party"
May 24, 2013
On Friday, May 24, the Valley Arts Alliance and Karen Lopez, the well known expert potter, hosted a POETRY POTTERY PARTY at Karen’s recently opened NuKreationZ Art & Creativity Center, 735 S. Bailey Street in Palmer.
For the past 4 years Karen and the VAA have held a Raku Pottery Party in the spring. In past events, the participants selected one of Karen’s hand made, but unglazed, pots and applied Raku glazes to create their own unique pot.
But this event was different from past Raku events, in that we used traditional food-safe glazes, which require a different and longer firing. As a result, the decorated pots had to remain at Karen’s NuKreationZ Art & Creativity Center for several days, and were available for pick-up about one week after the event.
As the participants decorated their pots with glazes, Karen, and Sandra Cook demonstrated the art of throwing a basic pot on the wheel, and Debra Bohm recited poetry.
What a wonderful mix—a POETRY POTTERY PARTY!
For the past 4 years Karen and the VAA have held a Raku Pottery Party in the spring. In past events, the participants selected one of Karen’s hand made, but unglazed, pots and applied Raku glazes to create their own unique pot.
But this event was different from past Raku events, in that we used traditional food-safe glazes, which require a different and longer firing. As a result, the decorated pots had to remain at Karen’s NuKreationZ Art & Creativity Center for several days, and were available for pick-up about one week after the event.
As the participants decorated their pots with glazes, Karen, and Sandra Cook demonstrated the art of throwing a basic pot on the wheel, and Debra Bohm recited poetry.
What a wonderful mix—a POETRY POTTERY PARTY!
"Raku Pottery Party"
May 31, 2014
On Saturday afternoon, May 31, the Valley Arts Alliance conducted our 6th Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. Although we describe it as a “party”, this was an informal workshop conducted by VAA artist Sandra Cook.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 9, 2015
On Saturday afternoon, May 9, the Valley Arts Alliance conducted our 7th Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. Although we describe it as a “party”, this was an informal workshop conducted by VAA artist Sandra Cook.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
April 8, 2009
On the evening of April 8, 2009, the Valley Arts Alliance held a Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. The “party” was actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer. Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the 2008 “Art on Fire” Iron Pour Art Fest in June 2008
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 5, 2010
On the evening of May 5, 2010, the Valley Arts Alliance held their Second Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. The “party” was actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer. Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the 2009 “Art on Fire” Iron Pour Art Fest in June 2009.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 4, 2011
On the evening of May 4, 2011, the Valley Arts Alliance held their Third Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. The “party” was actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer. Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the annual “Valley Arts Alliance Art on Fire Iron Pour Art Fest" in June 2010.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 19, 2012
On the sunny Saturday afternoon of May 19, 2012, the Valley Arts Alliance held their Fourth Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. Although we describe it as a “party”, this is actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer.
Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the annual “Valley Arts Alliance Art on Fire Iron Pour Art Fest" last June.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provides each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorate their vessel with a variety of glazes, and the vessels are then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers, and the metal can is sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the annual “Valley Arts Alliance Art on Fire Iron Pour Art Fest" last June.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provides each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorate their vessel with a variety of glazes, and the vessels are then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers, and the metal can is sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Poetry Pottery Party"
May 24, 2013
On Friday, May 24, the Valley Arts Alliance and Karen Lopez, the well known expert potter, hosted a POETRY POTTERY PARTY at Karen’s recently opened NuKreationZ Art & Creativity Center, 735 S. Bailey Street in Palmer.
For the past 4 years Karen and the VAA have held a Raku Pottery Party in the spring. In past events, the participants selected one of Karen’s hand made, but unglazed, pots and applied Raku glazes to create their own unique pot.
But this event was different from past Raku events, in that we used traditional food-safe glazes, which require a different and longer firing. As a result, the decorated pots had to remain at Karen’s NuKreationZ Art & Creativity Center for several days, and were available for pick-up about one week after the event.
As the participants decorated their pots with glazes, Karen, and Sandra Cook demonstrated the art of throwing a basic pot on the wheel, and Debra Bohm recited poetry.
What a wonderful mix—a POETRY POTTERY PARTY!
For the past 4 years Karen and the VAA have held a Raku Pottery Party in the spring. In past events, the participants selected one of Karen’s hand made, but unglazed, pots and applied Raku glazes to create their own unique pot.
But this event was different from past Raku events, in that we used traditional food-safe glazes, which require a different and longer firing. As a result, the decorated pots had to remain at Karen’s NuKreationZ Art & Creativity Center for several days, and were available for pick-up about one week after the event.
As the participants decorated their pots with glazes, Karen, and Sandra Cook demonstrated the art of throwing a basic pot on the wheel, and Debra Bohm recited poetry.
What a wonderful mix—a POETRY POTTERY PARTY!
"Raku Pottery Party"
May 31, 2014
On Saturday afternoon, May 31, the Valley Arts Alliance conducted our 6th Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. Although we describe it as a “party”, this was an informal workshop conducted by VAA artist Sandra Cook.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 9, 2015
On Saturday afternoon, May 9, the Valley Arts Alliance conducted our 7th Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. Although we describe it as a “party”, this was an informal workshop conducted by VAA artist Sandra Cook.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
April 8, 2009
On the evening of April 8, 2009, the Valley Arts Alliance held a Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. The “party” was actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer. Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the 2008 “Art on Fire” Iron Pour Art Fest in June 2008
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 5, 2010
On the evening of May 5, 2010, the Valley Arts Alliance held their Second Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. The “party” was actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer. Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the 2009 “Art on Fire” Iron Pour Art Fest in June 2009.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 4, 2011
On the evening of May 4, 2011, the Valley Arts Alliance held their Third Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. The “party” was actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer. Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the annual “Valley Arts Alliance Art on Fire Iron Pour Art Fest" in June 2010.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provided each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorated their vessel with a variety of glazes that Karen provided. The vessels quickly dried and were then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers. This material immediately catches fire from the heat of the Raku vessel, and the metal can is then sealed with the “red hot” Raku vessel inside.
As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look. After about 15 minutes, the vessel is removed and placed in a bucket of cold water, which freezes the patterns that were created during the post fire reduction stage. The resulting patterns and colors that are created through the natural process of oxygen removal are completely unpredictable.
The workshop lasted about 3 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 19, 2012
On the sunny Saturday afternoon of May 19, 2012, the Valley Arts Alliance held their Fourth Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. Although we describe it as a “party”, this is actually an informal workshop conducted by VAA artist Karen Lopez, who owns Still Waters Pottery in Palmer.
Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the annual “Valley Arts Alliance Art on Fire Iron Pour Art Fest" last June.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provides each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorate their vessel with a variety of glazes, and the vessels are then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers, and the metal can is sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
Karen is well known for her Raku pottery, and recently demonstrated the creation and firing of her Raku pottery at the annual “Valley Arts Alliance Art on Fire Iron Pour Art Fest" last June.
The creation of Raku pottery requires both heat and smoke to create the unique patterns and designs. Karen provides each participant with two vessels or pots of fired and unglazed ceramic ware, known as bisque. The participants then decorate their vessel with a variety of glazes, and the vessels are then fired in one of Karen’s special Raku kilns.
After firing for approximately 30 minutes, the “red hot” vessel is placed inside a metal can full of combustible materials, such as newspapers, and the metal can is sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Poetry Pottery Party"
May 24, 2013
On Friday, May 24, the Valley Arts Alliance and Karen Lopez, the well known expert potter, hosted a POETRY POTTERY PARTY at Karen’s recently opened NuKreationZ Art & Creativity Center, 735 S. Bailey Street in Palmer.
For the past 4 years Karen and the VAA have held a Raku Pottery Party in the spring. In past events, the participants selected one of Karen’s hand made, but unglazed, pots and applied Raku glazes to create their own unique pot.
But this event was different from past Raku events, in that we used traditional food-safe glazes, which require a different and longer firing. As a result, the decorated pots had to remain at Karen’s NuKreationZ Art & Creativity Center for several days, and were available for pick-up about one week after the event.
As the participants decorated their pots with glazes, Karen, and Sandra Cook demonstrated the art of throwing a basic pot on the wheel, and Debra Bohm recited poetry.
What a wonderful mix—a POETRY POTTERY PARTY!
For the past 4 years Karen and the VAA have held a Raku Pottery Party in the spring. In past events, the participants selected one of Karen’s hand made, but unglazed, pots and applied Raku glazes to create their own unique pot.
But this event was different from past Raku events, in that we used traditional food-safe glazes, which require a different and longer firing. As a result, the decorated pots had to remain at Karen’s NuKreationZ Art & Creativity Center for several days, and were available for pick-up about one week after the event.
As the participants decorated their pots with glazes, Karen, and Sandra Cook demonstrated the art of throwing a basic pot on the wheel, and Debra Bohm recited poetry.
What a wonderful mix—a POETRY POTTERY PARTY!
"Raku Pottery Party"
May 31, 2014
On Saturday afternoon, May 31, the Valley Arts Alliance conducted our 6th Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. Although we describe it as a “party”, this was an informal workshop conducted by VAA artist Sandra Cook.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
"Raku Pottery Party"
May 9, 2015
On Saturday afternoon, May 9, the Valley Arts Alliance conducted our 7th Annual Raku Pottery Party at Pat Garley's Arctic Fires Bronze in Palmer, Alaska. Although we describe it as a “party”, this was an informal workshop conducted by VAA artist Sandra Cook.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
Raku pottery is a Japanese technique over 450 year old where Tea Ceremony bowls were fired in a very ritualistic manner, befitting the Tea Ceremony itself. The process has changed dramatically since introduced to the west, but the firing of the raku kiln and the beautiful iridescent vessels that emerge while you watch are cause for celebration.
Sandra Cook, a local potter with over 30 years’ experience, provided 2 bisque fired vessels to each participant. The participants then applied their choice of glazes, and then watched the magic of the ancient Japanese art of Raku firing.
After firing for approximately 30 minutes in Sandra’s special Raku kiln, the “red hot” vessel was placed inside a metal can full of combustible materials, such as newspapers, and the metal can was sealed. As the fire consumes the oxygen within the can, it also draws the oxygen out of the vessel and its glaze. This process, called post fire reduction, is responsible for the unique Raku look, with colors that are completely unpredictable.
The workshop lasted about 4 hours, and at the conclusion of the workshop all the participants were able to take their unique creations home.
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